Helga embodies orientation and inner direction. Her presence appears at moments of choice, where movement is possible in more than one direction and clarity has not yet taken form.
The image carries the quality of a compass rather than a destination. Forms are arranged with precision and restraint, creating a field in which the essential becomes visible. Nothing distracts, nothing overwhelms. The space around her feels cleared, as if excess and randomness have quietly fallen away.
Helga does not indicate a path through explanation.
Direction emerges through alignment — through balance, symmetry, and the calm authority of order. The image holds a sense of guidance without instruction, offering orientation without narrative. In Helga, direction revealed through presence.
Year of creation: 2023
Private collection, Switzerland
Elena embodies the emergence of a new field.
Her presence marks a moment where space reorganises itself, allowing future movement to take shape. The image holds a sense of opening as a stable shift in configuration.
In this work, chaos is not confronted directly. It weakens through clarity. Forms align, directions become legible, and what was scattered begins to assemble into a coherent environment. The composition suggests a chain of events set in motion through inner consistency rather than force.
Elena carries the quality of inner support. There is no tension in her stance, only steadiness. Choice appears here as a natural consequence of alignment, not as struggle. The image conveys resilience without rigidity and openness grounded in certainty.
In Elena, possibility unfolds from a point of stability — where clarity becomes the foundation for what comes next.
Year of creation: 2023
Private collection, Switzerland
Anna embodies the quality of careful cultivation. Her presence holds what is living, allowing it to grow without pressure and to take form without distortion. The image carries a sense of attention that does not hurry, yet never withdraws.
In this work, growth is not expansion but rooting. Forms develop gradually, held in a space where fragility is recognised as value. What emerges does so through patience, repetition, and continuity. Nothing is forced into shape; everything is allowed to become.
Anna carries the weight of sincerity. Feeling here is not dramatic, but true — quiet, grounded, and enduring. The image affirms that what already exists is precious, worthy of care, and capable of further unfolding.
In Anna, growth is sustained by presence. What is nurtured remains alive.
Year of creation: 2023
Xenia embodies the connection between the celestial and the earthly. Her presence holds a vertical alignment in which different levels of reality coexist without conflict. The image gathers what is above and what is below into a single, continuous field.
In this work, transition is not movement, but relation. Forms are arranged so that distance is softened and separation loses its sharpness. The composition suggests permeability rather than division, allowing distinct realms to remain themselves while staying in contact.
Xenia carries the quality of mediation as balance. There is no dominance of one level over another, no tension between heights and depths. The image sustains coherence through quiet correspondence, holding a space where connection becomes stable and enduring.
In Xenia, unity does not erase difference. It allows it to remain in harmony.
Year of creation: 2023
Margarita embodies love as a force that holds dignity and direction. This is not a fragile emotion, but a steady inner flame — concentrated, centred, and sovereign.
The heart becomes an axis around which movement, colour, and rhythm are organised. Waves, spirals, and luminous patterns form a field where feeling is structured rather than scattered. Love here is not overwhelming; it is gathered, sustained, and consciously carried.
In Margarita, love acts as power. It clarifies intention, strengthens presence, and gives courage to remain open without losing form. This figure stands as a reminder that devotion and strength can exist in the same breath.
Year of creation: 2023
Valentina embodies joy as a directed force. Her presence carries movement that arises from intention, where inner impulse begins to take form in the world. The image holds a sense of uplift — not as emotion alone, but as orientation toward action.
In this work, desire gathers, aligns, and becomes momentum. Forms flow with clarity, suggesting a shift already in progress. What was uncertain begins to resolve itself through motion, and hesitation gives way to direction.
Valentina holds the quality of decisive movement. There is no struggle between feeling and action — joy itself becomes the guiding rhythm. The image conveys a moment where intention finds its step and movement becomes inevitable.
In Valentina, joy is he beginning of motion.
Year of creation: 2023
Anastasia embodies renewal as an inner act of courage. Her image carries the moment when truth is no longer postponed, and return to oneself becomes unavoidable. Renewal here is not soft or accidental — it is conscious, clear, and exacting.
The composition holds the breath of a new cycle. Old layers dissolve without conflict, false forms lose their grip, and space opens for what is essential. Movement is vertical and inward at once — a quiet re-alignment rather than external change.
In Anastasia, renewal is inseparable from honesty. There is no decoration of transformation, only clarity that demands presence. What remains is what is real. What falls away is no longer needed.
This image marks the threshold where renewal begins as return.
Year of creation: 2023
Private collection, Switzerland
Aikaterini is a figure of rhythm, discipline, and inner order.
She embodies the principle that structure is not imposed from outside, but emerges from precise inner alignment.
This work speaks of balance as an active force. Aikaterini does not suppress chaos — she organises it, transforming scattered movement into a coherent system. Where there is confusion, she establishes rhythm; where there is excess, she restores measure and clarity.
Justice is present here as equilibrium rather than judgment.
Each element holds its place in relation to the whole. Nothing dominates, nothing collapses. The image conveys a state in which discipline becomes a form of freedom, and principle becomes a source of stability.
Aikaterini is not static.
She moves — and she dances.
The dance is essential: it reveals that true order is alive. Rhythm here is not mechanical repetition, but a living pattern that allows movement without loss of structure. Through motion, balance is maintained; through rhythm, clarity is preserved.
In Aikaterini, discipline and grace are not opposites. They are two expressions of the same force — the ability to build structure while remaining in flow.
Year of creation: 2023
Eirini embodies peace as an active state of wholeness. Her presence is not the absence of conflict, but a condition in which every element finds its rightful place. Order here arises naturally, without pressure or correction.
The image is built around clarity and pure light. Forms are aligned, movement is calm, and space unfolds as coherent and complete. Nothing is excluded, nothing dominates. Each part exists in quiet correspondence with the whole.
In Eirini, peace is sovereignty. It holds integrity without rigidity and harmony without compromise. This is the state where creation settles into balance and the world becomes inhabitable again.
Year of creation: 2023
Private collection, Switzerland
The Name of Goddess is a series dedicated to feminine archetypes understood both as mythological figures and as functional inner forces. Each figure carries a distinct quality of presence and acts as a concentrated expression of an inner principle.
Each work in the series represents a specific force — such as rhythm, balance, clarity, care, silence, or inner authority. These principles organise experience by shaping perception, movement, and orientation. Through them, inner and outer realities are brought into alignment and coherence.
Rather than focusing on narrative or symbolism, each figure holds a clear function: to stabilise, to order, to sustain, or to transform. The Name of Goddess forms a system of forces — a map of inner principles expressed through form, movement, and restrained clarity.