Emptiness appears here as cleared space. The figure stands within a field where forms loosen and boundaries dissolve, allowing room for what has not yet taken shape.
This emptiness is attentive and receptive. It holds no demand, no direction, only availability. The composition suggests suspension — a pause in which excess falls away and the essential becomes visible.
Emptiness, in this work, is the condition that precedes emergence.
Year of creation: 2025
Silence in this image is dense and structured. It is a state in which inner noise has settled into order.
The figure is held within layered patterns that mute movement and stabilize the field around her. Silence here acts as a boundary, protecting coherence and depth.
This testimony speaks of silence as an inner architecture: a space where attention gathers and meaning is preserved without articulation.
Year of creation: 2025
Stillness is presented as equilibrium rather than immobility. The figure stands at the point where opposing forces balance and motion no longer pulls in any direction.
Rhythm remains, but it is internal. The surrounding patterns echo restraint, clarity, and composure. Nothing presses forward; nothing retreats.
Stillness here is a state of alignment — the moment when inner movement finds its exact measure and rests within it.
Year of creation: 2025
Testimonies is a series devoted to states that arise when meaning recedes and presence remains. Each work records a threshold condition — a moment where inner movement slows, sound thins out, and attention turns inward.
These images do not narrate events. They hold conditions: emptiness as openness, silence as containment, stillness as inner balance. The figures are vessels through which these states become perceptible.
The series functions as a quiet archive of inner testimony. What is witnessed here is not action, but alignment — the subtle ordering that occurs when experience is stripped to its essential structure.